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LABORATORY

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Portrait Project

Portrait Project

The Portrait Project is an ongoing experiment exploring the form of audio-visual self-portraits. The only norm that controls the form is that both the audio and the video should be stills, meaning there shouldn't be too much development in the audio and not too much movement in the image. Besides that, each artist has the freedom to experiment and fill in the form to their liking.

Game Project

Game Project

The Game project is an exploration of the possible interactions between aesthetic drives. Using trace, or sculpture or music or dance as the language of communication. Each game is the meeting of two different artists, with different ways of perceiving, thinking and acting. The game starts with a setup and from then on each player makes their moves in alternating turns. The logic of the game is found during the game by the players, in silence, using the medium as their language.

Distilled Collages

Distilled Collages

This is serving as an experiment in the probability of sameness, or the randomness of difference. Performers will enter one at a time into the room and perform a brief, but planned movement for the empty room.

Blind Sculpture Garden

Blind Sculpture Garden

The Blind Sculpture Garden explores the act of sculpting without the sense of sight. Their work in the Blind Sculpture Garden is liminal and fleeting. What they create can so easily be transformed by new blind hands searching for a fresh mound to work with. The products generated through the Blind Sculpture Garden are of far less importance than the physical and mental experience of the sculptors.

Performing Objects

Performing Objects

The Performing Objects Project is an experiment in animism. Through the performance of objects and properties we seek to discover–or not discover–an emotional life within their interaction. A group of 3 manipulators, within a chanced time-constraint, explore the performance of a set of chosen objects.

Frame Project

Frame Project

This project is an exploration on the act of filming performance. Eventually I would like to use this experiment to create a piece that is a dialogue between the experience of watching filmed performance vs. live performance (i.e. one “act” is film, the next “act” is live).

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